Proteus Flex 2X Anamorphic Series

Price range: $8,999.00 through $22,499.00

Introducing Proteus 2X Anamorphic Flex Series – the unique 2X anamorphic set with a user-interchangeable flare feature. The series becomes highly flexible and economical, providing 4 different flare options to fit any production through the modular design.

*ARRI PL mount in default, the package also includes an optional interchangeable Canon EF bayonet.

*Both Imperial and Metric versions are available

*Each Proteus Flex unit comes with its own case.

>> Join our Facebook Group for receiving our latest updates. <<

    Reset options

Filmed with Proteus

Proteus Flex 2X Anamorphic Series

Flex – Ease with Flare

Each Proteus Flex comes in a main Proteus body and 4 interchangeable flare modules, including amber, silver, blue and the brand new clear flare versions. Whether for a sci-fi film, a mellow music video or a commercial, filmmakers and rental houses can swap the flare modules locally to match production needs following simple steps.

One Lens for All Flares

With the flexibility and versatility to change the flare color, the new Proteus Flex effectively turns a set of Proteus anamorphic lenses into 4 different sets. Filmmakers can swap between blue, amber, silver and clear flare options to bring the desired aesthetic touch to the scenes.

Mesmerizing Clear Flare

Apart from the colored flare versions, the Proteus Flex includes a brand-new flare coating – Clear Flare. It produces minimal horizontal flare even when shooting towards strong lights. This unique character is for DP who wants a cleaner and more elegant look.

ASC Tested

In collaboration with Markus Forderer, ASC and CINEFLARE, all flare versions of Proteus lenses are tested and captured in different T-stops. Visit https://lenses.cineflares.com/ and sign up for free to access the detailed outcomes.

Quick And Easy Swap 

The flare modules can be easily installed, swapped and screw-locked into the precision crafted main Proteus body. As the flare modules are carefully adjusted to match the specific lens body, no further optical calibration is required after the swap. The swap can be done in 10 minutes without the need to ship back and forth to service facilities.

Technical Data

News & Review

CineD – During InterBEE 2022, CineD chatted with Li Dayong from Laowa about the company’s upcoming new product, the Laowa Proteus 45mm 2X anamorphic lens.
VideoSalon – 【レビュー】LAOWAの本気のアナモフィックが遂に登場「LAOWA Proteus 2X Anamorphic 85mm T2 Blue」
FilmJams – This Laowa Proteus Lens Review features cinematic Proteus footage shot on ARRI Alexa Mini in 4k. See the head to head comparison with Atlas anamorphic lenses.
PetaPixel – Laowa Goes High-End With Proteus Line of Pro-Level Anamorphic Lenses
Dustin Armstrong – During the NAB 2023, Dustin brought the Proteus 45mm out for a few moments, to shoot a cinematic video on his Lumix S5II
Newsshooter – MATTHEW ALLARD ACS from Newsshooter review our Proteus Series

Shooting with the Proteus for the first time I was impressed by their optical and mechanical performance. They were a perfect match for the Alexa 35 covering 2.39:1 in open gate, even the 28mm at a T2. The image characteristics were consistent across the set and I could shoot into bright sources while maintaining good contrast. This allowed my lighting to dictate the overall characteristics of the image without fighting the lens. We included several long focus racks and I was impressed by the lack of distracting lens breathing and magnification changes that are typical of many anamorphic lenses.

 

The Proteus are also unique in that they have a distinct flare combined with minimal veiling glare, allowing for greater control. Further, they perform like modern lenses while being gentle and pleasing on skin tones.

Armando Salas, ASC

“When projected, the Proteus lens produces incredibly sharp images with superb contrast. The captured images have vivid colors with a painterly bokeh.

In addition, the focus transition is velvety and natural. Finally, the flare characteristics are nuanced but not muted. As a result, it has considerably more character than other optics of a similar price range.

Overall, the Proteus will impress you!”

David Jean Schweitzer, S.O.C

The Proteus make a significant splash in the anamorphic world, offering unmatched quality within their price range. With a close focus distance of 1.8 ft, we shot an entire music video with the 45mm, capturing wide shots and close-ups effortlessly. Subtle characteristics, clean imagery, and no vignetting. The robust build, smooth rings, captivating flare, and vivid colors impress. These lenses unleash new possibilities, elevating anamorphic cinematography to unprecedented heights. 

JA Moreno, Director

“Laowa have made a serious entry to the anamorphic world with these lenses.

Being able to shoot wide open at T2 with the Proteus is a great test of its sharpness and performance at 7K 6:5 2X on the RED V-RAPTOR.”

James Tonkin, Cinematographer

“The proteus has beautiful vintage character wide open while maintaining sharpness. Let a little light in and the most incredible horizontal and vertical flares take shape. I especially like the amber coating.“

Justin Jones, Director of Photography

“I think this is a really nice anamorphic line-up.

I was very impressed with the close focus distance, which made it easier to get detailed close-ups of nature and people.

They are built like tanks, having robust bodies with smooth focus and aperture rings.

And they are really good wide open at T2.0 with nice oval bokeh.”

Kristoffer Davidsson, Cinematographer

“Having only 45mm at my disposal, I’ve managed to shoot a whole music promo with it. The close focus distance 1.8 ft allowed me to get right into the action without worrying about diopters.

The silver coating meant that I had full customization of the flare, meaning I just had to adjust the colour or gel of the light and it would create the preferred colour of the flare. It had nice characteristics, but they were subtle and not over the top. And last but not least,

I truly enjoyed working with a clean, almost-zero vignette lens; it allowed me to shoot in open gate mode without compromising on anything.”

Dima Kalenda, Cinematographer

After using The Proteus Anamorphic, I’ve concluded these are some of the best attainable anamorphics to hit the market right now. One of the things I love the most is the level of sharpness and resolution compared to any other lens in this price range. The lenses provide a sharp and clean cinematic anamorphic look with extremely minimal breathing and non-distracting flaring and amazing close focus without diopters

Sean Boyd, DP/Director/Writer/Producer

Music Videos

cinematographer: Kentaro Kishi

All scenes were shot with Proteus series.

Lens: Proteus 45mm T2 (Silver) 

Cinematographer: Sam Chan

Lens: Proteus Set (Amber) 

Cinematographer: Yuki Suematsu (KASSEN)

Cinematic Videos

Lens: Proteus 35mm T2 (Silver)

Camera: RED Komodo

Cinematographer: J.D.Macias @dpjdmacias

A short film created by J.D.Macias for the Make It Epic 2.0 Challenge, inspired by the film “Close Encounters of the Third Kind”.

Lens: Proteus Series

Cinematographer: Fu Shiying 傅士英

A short film commercial created by Fu Shiying (傅士英) for Panasonic using Laowa Proteus lenses film “Close Encounters of the Third Kind”.

Lens: Proteus Series

Camera: RED Komodo

Director/Writer/Cinematographer @theseanboyd

Lens: Proteus 45mm T2 (Amber)

Camera: Canon EOS R5 C

Cinematographer: Kristoffer Davidsson 

Model: Malin Lif Riesser

Lens: Proteus 45mm T2 (Amber)

Camera: MAVO LF KINEFINITY

CREDITS:

Cinematographer: Sébastien Abes 

Model: Lucie

Lens: Proteus Full Set (Blue)

Apple Spec Commercial

Cinematographer: JP Quill

Lens: Proteus Full Set (Silver)

A feature documentary following Lachlan Morton on his blistering 2700m ride along the continental divide trail.

Cinematographer: Angus Morton

Lens: Proteus 60mm T2 (Blue)

Camera: Canon EOS R5 C 

CREDITS:
Artist: Broder Henrik Rapp
Cinematographer: Kristoffer Davidsson

Lens: Laowa Proteus Series

MLB Ad Commerical

Cinematographer: Charles Papert

Lens: Proteus 85mm T2 (Blue)

Camera: ARRI Alexa Mini LF.

All shot at T2.0, EI 800. No grade, just Arri 709.

Credits to Blaine Westropp

Additional information

Focal Length

20mm T2: $9,999, 28mm T2: $9,999, 35mm T2: $9,999, 45mm T2: $9,999, 60mm T2: $9,999, 85mm T2: $9,999, 100mm T2: $9,999, Set A (28/45/85mm): $24,999, Set B (35/60/100mm): $24,999

Focus Scale

Imperial, Metric

T&C

All shipped orders are final sale, non-returnable and non-refundable.

We accept bank transfer for the final settlement of the order. You represent and warrant that (i) the information you supply to us is true, correct, and complete, (ii) you are duly authorized to do such bank transfer for the purchase, (iii) charges incurred by you will be honored by your bank company, and (iv) you will pay charges incurred by you at the posted prices, including all applicable taxes, if any.